Summary
Technology in video games has made an unfathomable amount of progress in the last few decades, and the 2010s were no exception. With improved tech came new possibilities, as the decade saw the emergence of many new genres, some being the natural evolution of popular trends, others seemingly coming out of nowhere, each one impacting gaming culture in a myriad of ways.
Although they might seem like they belong perfectly in today’s video game landscape, the rise of each of these genres marked important milestones in the medium’s development and even caused industry giants to fall in line. Whether the 2010s went by in a flash or now feel like memories of another life, and whether these genresstuck around or faded away, these genres are worth celebrating.
The Looter Shooter
All the addictiveness of a spreadsheet-enabled MMO experience with the twitchiness of a first-person shooter. Each kill or quest births a cashe of color-coded new boomsticks, firing up players' dopamine injectors and prompting them to see what kind of big numbers an itchy trigger pull can rip out of the next target.Hellgate: Londonwas technically the first to get the genre going with its randomized drops and maps, but theBorderlandsseries, the second entry in particular, ignited the craze.
WarframeandDestinycontinued to evolve the concept and brought the genre into the realm of the “live service.” The genre continued to flourish until the arrival ofAnthem, which began the slowing down of the looter shooter hype train, perhaps due to adampened appetite for the live service model. Nonetheless, non-service multiplayer entries such asDeep Rock Galactic, Roboquest,andRisk of Rain 2demonstrate that looter shooters continue to hold appeal beyond the limits of the decade.
The Digital Collectable/Tradable Card Game
Addictive Card Games, Now Without The Paper Cuts
Anyone who has been around long enough will know how popular collectibles can be. While tradable, collectible card games remained a playground obsession for kids and a niche hobby for adults alike during the 90s and 2000s, a few studios put out video game versions of popular card games with some success, such asPokemon: The Trading Card Game. However,Hearthstone’s release in 2014 shuffled the digital collectible card game (DCCG) into a winning play in the video games industry.
Thanks to crisp graphics, pleasingly tactile UI interactivity, and strong characterization based onWarcraftlore, the game became a hit with fans and newcomers to theWarcraftuniverse alike. CD Projekt Red later played their hand withGwent: The Witcher Card Game, which includes elements of the physical trading side of the hobby. Other large companies tried their hand at turning their IPs into DCCG, such as TheElder Scrolls: LegendsandMagic: The Gathering Arena, while smaller studios output awhole deck of stellar digital card gameswith their own twists.
The Soulslike
Prepare To Die (And Be Sure To Take Notes)
FromSoftware’sDemon’s Soulsoriginally appeared at the start of 2009 in Japan and close to the end of the year in North America. However, the clamoring for Soulslike games really picked up following the release of its spiritual successor,Dark Souls, in 2011. This kickstarted the bonfire ofgrimdark fantasy copycats and aspirants, all of whom set off designing games with tough-as-nails difficulties, labyrinthian-level designs, mostly minimalist and piecemeal storytelling, and ruined worlds doomed to oblivion.
FromSoftware outputted many of the most famous Soulslike games (or Soulsborne games, to accommodate forBloodborne), but some high-profile names also took the genre and ran with it, including Team Ninja withNiohand Bandai Namco’sCode Vein. Soulslike elements were successfully supplanted into other genres and franchises, includingHollow Knight,Blasphemous,God of War,and evenStar Wars Jedi: Fallen Order. As the Soulsike continues to evolve, its popularity appears to hold fast well into the mid-2020s.
The Battle Royale
Hundreds Of Combatants, Only One Prize
Named after the Japanese film and novel of the same name that explored the same premise (but with high school kids), the battle royale or “last man standing” game mode had existed in video games long before 2010. However, the technology that allows hundreds of players to run around a multiplayer map simultaneously only appeared with the arrival ofPlayer Unknown’s BattleGroundsin the latter half of the decade.
The game originally began as anArma 2mod before its popularity got out of control. After PUBG, the battle-royale-loving fanbase consolidated around a small number of games with their preferred multiplayer mode, namelyApex LegendsandFortnite. Many other AAA companies entered the ringonly to get starved outby an indifferent fanbase.
The Base-Building & Survival Game
The Tree-Punching, Bug-Eating, Enemy-Griefing Great Outdoors
The surge in popularity of survival games with base-building mechanics began with entries likeMinecraftandDayZ, which blended elements of resource management, crafting, exploration, and cooperative or versus-player interaction from a first-person perspective. In games likeRust, bare-handed players are dropped into the world to contend with not only environmental hazards but also other players.
No two playthroughs are the same, given the procedural generation and general chaos of naked survival. The genre emphasizes shaping the environment to improve access to resources, defense, and better technology.As the genre evolved, it diversifiedto include more narrative-driven experiences likeThe Long DarkandGreen Hell. The genre also producedDon’t StarveandValheim, which took third-person perspectives and put their own quirky and mythological twists on the genre, respectively.
The Indie Game
A More Democratized Form Of Video Game Creation
Technically, “indie” is less of a genre and more of a business model in which a studio’s creative direction is more or less dictated by the people working on the game rather than the money people. Nevertheless, the indie game market saw a great surge in popularity in the 2010s. This was in part thanks to the availability and accessibility of game development software and tools the decade prior, such as Unity, and the advent of digital distribution publishing platforms like Steam and GoG, on which practically anyone could get a game put on the storefront.
Bedroom coders had always been around making games, but with the success of games likeJourney,Shovel Knight,Undertale,and the best-selling game of all time,Minecraft,the viability of the modelbecame obvious. The video game medium saw a creative explosion with never-before-seen concepts and mechanics thanks to freedom of experimentation, from border-bureaucracy simulators to rhythm-based roguelikes. After an indie market saturation hit, 2015 saw the rise of gamers decrying the “indiepocalypse.” Although the scene continues to thrive today, too many indie gems still struggle with the issue of discoverability.
